I’ve been flat out lately and forgetting to take photos but I’m sure you’ll forgive me just posting some pictures of finished tutus rather than construction steps.
I often will buy a couple of metres of beautiful fabric if I can see a tutu in it. I could not resist this beautiful embroidered taffeta. It is green and is shot with a purple-fuchsia colour. The dancer who chose it has flaming red locks and ivory skin. It was a perfect choice for her.
The plate was made with long points that echoed the bodice decoration.
And for a soft effect the skirt was cream. White looked too harsh and ivory wasn’t right either.
The next tutu was another pink Aurora. This one was pink and silver and had a delicate feel. Both of my recent Auroras were for the same ballet school so I wanted them to stand apart but both be lovely.
The pink silk we chose was a little too light when it was lined so I put a layer of darker pink poplin between the silk and the drill to give a little more strength to the colour.
plate and lace overskirt
The silver overskirt and venise lace gave the tutu an airy ethereal look.
And finally a little tutu for a very dedicated young 10 year old. We used royal blue dupioni and gold corded lace for a regal look.
There was no plate but I matched the colour of the skirt to the bodice so that the line of the bodice carried down onto the skirt. I used the corded lace to make a flay lace overlay. I used blue rhinestones on the lace to increase the negative space in the design and break up the sold stretches of gold.
The whole effect was rather regal
and I finished off the ensemble with shoulder frills and a tiara.
