I like to buy lots of different trims for my inventory so my clients have plenty of choice. One trim I bought online recently was quite an old gold colour with greenish undertones. I really wasn’t sure anyone would really like it so I thought I’d try it out first as a ready to wear tutu to test the waters. It sold so fast I didn’t have time to upload it here to my RTW page.
The trim was a lovely complement to a warm dove grey lycra I recently acquired. I used a favourite combination of topaz, citrine and crystal AB stones to embellish the appliques.
I then discovered I had another trim stashed away with the same old gold tones. It was perfect for the plate but I needed a little something extra for some nice long points.
I used another trim of a lighter gold to complete the design I had in mind. I don’t mind using trims of slightly different colour as I think it can add some light and shade to the design.
The skirt was ivory and white with a layer of glitter tulle for a subtle ballet sparkle.
I was very pleased with the overall design. I think it sold within a few hours! I can’t wait to do some more RTW tutus. I’m planning on doing 1/3 of my work in 2018 as RTWs.
I love collecting pieces of lycra in unusual colours so that I can offer my clients something a little different from the colours available from retail fabric suppliers. However, that means I can sometimes paint myself into a corner trying to find the right trim. I was just about ready to ring my client and throw myself on her mercy for a colour change when I found the last few pieces of a very pretty pink French lace. This trim usually attracts a premium but I was so grateful to the Embellishment Gods that I used it on the tutu at no extra charge.
I used the motifs on the lace to make a delicate irregular border on the plate and to float from the plate onto the skirt. The lace really didn’t need any more sparkle but I added some crystal AB stones for a little colour shift.
The effect of the plate was a very pretty soft and intricate edge. This perfectly suited the choreography and the dancer’s temperament.
Skirt and plate
The skirt itself was a mixture or lilac, pink and white. The feathered edge complemented the delicate design and colours.
Ivory and gold are classic colours for an elegant and sophisticated tutu. Here I’ve used gold venise lace with crystal AB, citrine and topaz rhinestones, and added pearls to lighten the effect of the heavier parts of the gold applique.
Close up of bodice
My client wanted the tutu to have rich embellishment without being too heavy so we decided on a small plate but added the trailing jewels on the skirt for a bit of added interest.
I used a few different venise lace trims to get just the shape and effect I was after. Venise lace is a very accommodating trim as it’s easy to piece and re-piece. The slight difference in the gold can’t really be seen and I think it actually tricks the eye into seeing texture rather than colours. I loved working with the venise lace to create the points on this petalled plate
You can see here the skirt isn’t just plain ivory but it has a layer of glitter tulle for subtle sparkle and under that a layer of champagne to give a little warmth to the skirt.
I really like it when colour schemes I wouldn’t have thought of are suggested to me. A client saw a tutu I had made in a warm champagne colour and thought that it would suit silver trim.
I used a combination of light topaz and crystal AB rhinestones to break up the thicker parts of the silver applique I used.
I matched the champagne lycra with champagne net. I wanted a light effect so I used a net plate rather than a lycra plate. In the picture above you can see the subtle sparkle from the glitter tulle at layer 2.
Champagne and Silver tutu
This is such a lovely colour I ordered more lycra from the supplier as I have a few RTW ideas for this colour with a little bit of air-brushing.
Here is a pretty little tutu in a soft delicate blue for a young dancer with just a few blue roses for a very soft romantic look.
Silver venise lace and blue rhinestones
The plate was just little bit fancy with a second tier and a few more roses and some tiny blue dianthus flowers. The net petals were made of slightly darker net than the skirt to give them just a little bit of definition. The AB crystals flashed a little pink for some colour depth.
The tutu was made for a young girl with a lovely warm complexion and the pale colours looked so good on her. I also loved the tiny patches of sage green from the leaves on the ribbon flowers.
Sixteen petalled plate with flowers and rhinestones
And I made a sweet little tiara to match, with rhinestones and flowers. I’ve added crinoline to the frame of the tiara to make it easier to pin to the hair.
My last multiple post will be those enduring colours of the ballet world, white, ivory and apricot.
A lovely white tutu with silver venise lace, crystal AB rhinestones and a simple overlay of silver white lace.
Ruched white bodice
This design took a lot of to-ing and fro-ing but I think my client and I came up with a real winner. Silver venise lace and crystal AB rhinestones again team beautifully with crisp white. The ruched bodice and underbust decorations are now one of my favourite designs.
This lovely Paquita made her debut at the Sydney Eisteddfod this year. The ivory particularly suited the young dancer’s olive complexion.
Gold and ivory
The ornate geometry of the decorations gave a baroque feel to this tutu. The skirt was a mixture of white and ivory to reduce the starkness of an all white skirt.
My favourite tutu this year
I know I shouldn’t have favourites amongst my “children” but this beauty still takes my breath away. The upper bodice is covered in stretch lace and the decorations are a combination of apricot, copper and gold. There is a single layer of apricot net that gives the skirt a pretty blush.
And this tutu is the very close second. It’s pretty and romantic. I had great fun constructing the ornate plate.